It’s a dangerous time to be an artist. A couple times a year, the whole world appears to pick one artist to turn on. Maybe they mixed up some facts. Maybe they misrepresented a subject. But, most often, it seems like artists are lambasted for stealing from each other. There are few things trolls love more than showing why something that seems original…isn’t. But with so much content flooding our world and minds right now, the line between inspiration and derivation has gotten blurrier than ever. How can we be influenced by great work without ripping it off?
Here are 5 suggestions.
There is nothing inherently wrong about ripping off someone else’s work. Many of us learned how to draw by tracing. On some level, all learning begins with mimicry. We’d be stunting our creative growth if we were too afraid to let ourselves re-create — even to the level of plagiarism — the work we love. The problem comes with publication. With posting. With passing off work as our own. We’re all so frantic to keep our social media presence alive that we often don’t take a step back to decide whether what we’re posting should really be posted.
Here are some questions you might try asking yourself about the next piece of work you want to publish:
Are you proud of this piece of work?
Will you respect the people who like it, or will you feel like you’ve pulled one over on them?
Is this work, in some way, uniquely yours?
If someone looks below the surface of this piece, what are they going to find?
At a time when so much work is derivative, it’s easy to assume derivation is okay now. It’s not. Mimic privately. And when it comes time to post something, post something worthwhile.
Nobody has tackled the issue of good stealing versus bad stealing better than Austin Kleon. In one of his most memorable illustrations in his now canonical book, Steal Like an Artist, Austin argues that good theft honors while bad theft degrades. Good theft studies; bad theft skims. Good theft steals from many sources; bad theft steals from one. Good theft credits the source; bad theft plagiarizes. Good theft transforms; bad theft imitates. Good theft remixes; bad theft rips off.
If you truly know the difference, it’s probably not stealing at all.
Sometimes — often, even — artists steal accidentally. They are unaware of their own influences, so rather than use them to create something new, they create something that’s been done before. It’s not malicious, just naïve. And the easiest way to prevent yourself from doing it is to become a historian of your craft. Lucky for you, filmmaking isn’t very old. Start from the beginning. See how it’s developed over time, which influences have led to the next, how different cultures have approached it in different ways. Not only will this research give you an invaluable perspective on your craft, but you’re guaranteed to find a wealth of inspiration in places few people are looking.
Our memories are fundamentally flawed. Some theories suggest that every time you conjure a memory, you are re-creating it. Copies of copies of copies. There’s a reason why eyewitness testimony is rarely credible. But, like aberrations in a lens, our memory has personality. As you consume diverse influences, dive into the history of your craft, and open yourself to unexpected inspiration, all of that will get processed through…you. And in that way, it will become your own. The trick is to not be too quick to re-create. You have to let your influences soak in. Mix together. Stew a bit. Then, when you want to re-create them, re-create from memory. It’s amazing how different your version will be from the original, once it’s worked its way through the aberrations of your mind.
It’s funny that in our attempts to be original, we often fall face-first into derivation. It’s like that old advice about skiing: If you focus on the tree, you’re going to hit it. Best, then, to let ourselves off the hook. We like the way filmmaker Jim Jarmusch puts it:
Everything came from something else. Each one of us is the accumulation and culmination of everything we’ve ever seen. Embrace it. Stop worrying about being original. You just have to be authentic.
We’ve talked to some incredible women on our blog: directors, DPs, acting coaches, animators, Oscar Nominees, creative directors, artists. They’ve shared illuminating, perspective-shattering advice that any filmmaker can take to heart, regardless of... Read More
Deciding to not make a film is hard. We’re living in the golden age of people making films — thanks to new technology and an increasingly low barrier to entry — and so often the ball starts rolling before we ask ourselves if we should roll it in the first place. In a craft that ultimately amounts to a series of impactful decisions... Read More
We’ve spent more than four years of talking with some of the best filmmakers in the world, and there are a few questions we haven’t asked. What had these filmmakers been *totally wrong* about when they first started? And what was the very best thing they did for their careers? Read More